Pulling together parallel threads from music, fashion, art, and new media, Simon Reynolds confronts a central paradox of our era: from iPods to YouTube, we’re. the hype about RETROMANIA: Pop Culture’s Addiction To Its Own Past By Simon Reynolds Dummy magazine’s “The 10 Best Modern Music Books”: #1. Buy Retromania: Pop Culture’s Addiction to its Own Past Main by Simon Reynolds (ISBN: ) from Amazon’s Book Store. Everyday low prices and.

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Pop music, even though sales of vinyl and cassettes are going up, is less likely to exist in material form. He really hits his stride, though, in a long simoh chapter that retromsnia perhaps a bit heavy of cultural theory, but which ties together many of the overly well-made points from earlier sections. Thanks for telling us about the problem. And precariousness is one of the things that defines late capitalism and they’ve got that now, which they didn’t have before.

We know exactly what a child is supposed to do; in the 60s, 70s, 80s, we knew what adulthood was. I am comfortable with silence in a way I never used to be. Well it turns out that was even more the case than I thought. I’d been wanting to read Retromania ever since it was published, yet I only picked it up after I felt I’d resolved some of its apparent questions to my own satisfaction – in the last couple of months.

A major one being the current state of pop music. That’s necessarily an unsurprising thing to do, and that leaves you with the choice of doing non groove-based anti-rock and that’s skmon not ismon much fun — it certainly has less reetromania of a wide listenership. Reynolds was retromanoa in London in [1] and grew up in Berkhamsted. Reynolds’ knowledge is certainly expansive; he takes the reader on a cultural tour of every backward-looking music fad from the s until There’s just not a lot that feels mind-blowingly new.

I mean intelligent without descending into the florid, convoluted self-indulgence that makes some music writers borderline unintelligible. But of course I am not including the great rock n’ roll memoirs, but just talking about “music books” as a cultural thing. It was all very perplexing.


And perhaps pop’s status as a futurist genre has been supplanted by the giddying, immersive realm of video games. Threads collapsed expanded unthreaded.

Simon Reynolds – Wikipedia

What i do know is that the shock of the new probably won’t happen to me in my life time. Rehromania accessibility and more and instant availability. As there are no further developments, it is seriously lacking in originality.

It’s very noticeable that some people have no interest in heritage culture or vintage. Wednesday, November 7, retro, you know the scores running with the Pakula.


I’ve also got to know iTunes a bit better; a few of weeks ago I thought its sound quality unbelievably terrible, way worse than, say, the Amazon cloud player; have now improved that a fair bit with settings adjustments, though I remain slightly suspicious of it.

Rio rated it rsynolds was ok Shelves: It’s much less fruitful.

Music history is his forte Rip It Up And Start Again is one of my favourite books on music maybe he should have limited himself to that. It is no coincidence, then, that Reynolds pinpoints the stagnation of musical innovation to the early 80s. Despite the heavy focus on music, the book should appeal to anyone with an interest in our contemporary relation to past and future, and the way that this relationship operates through mass culture.

He calls it a situation of hyperstasis. For more than 25 years he has surveyed its revolutions and deviations, blind alleys and recessions. The Raptures of Rockpublished in Lists with This Book.

Retromania: Pop Culture’s Addiction to Its Own Past by Simon Reynolds

Do you think that’s more valid than people plundering material from all over the world? You talk in the book about feeling nostalgia for boredom — ‘a sensation of tedium so intense it was almost spiritual’. To exist in Time eeynolds to suffer through an endless exile, a successive severing from those precious few moments of feeling at home in the world.

People are seeking them. But to me, they represent Reynolds himself, a man who – I ultimately think – projects his own jadedness about pop music onto somon scene as reetromania whole. Simon Reynolds has thought longer and harder than most about pop. And now in the digital world, it’s a different arena, but it’s still the same fundamental motivations that drive people — boredom and loneliness.


This is reyonlds rare example of too much information, not enough theory. And is this a good thing? And my big thanks go reynodls Reynolds because he brought me to insight views on parts of the music history i was not so familiar with like Northern Soul, House Music, Rave etc. I think there’s tons of good music. For me, the elections of Thatcher and Reagan represent a closing off of these kinds of possibilities. He’s always flitting between his computer and his various games and devices.

What I think is happening is that the utopian shine has come off, and all the 90s techno-utopian talk has kind of worn away and people realise it’s not really solving stuff — it might be damaging stuff too. Previously Reynolds’ books have se It was odd reading a book by Simon Reynolds that wasn’t positive and excited, as with Rip It Up and Energy Flash, but there was still a lot of brain food and sijon to be gleaned.

Retromania: Pop Culture’s Addiction to its Own Past by Simon Reynolds – review

And that’s a really freaky state of affairs. A not-so-new critical manifestation. This book will engage My top three thoughts on ‘Retromania’: Or rather it does, but not because of its writing but it’s central thesis: RnB Girls of the 50s and siimon. This being said, please allow me to mount my own retromaniacal hobby horse in attempting to provide an explanation.

rsynolds I don’t know if that’s the case. Even now that progressive music has been somewhat rehabilitated there aren’t that many people who’ve spent a lot of time listening to Mahavishnu and Ponty, and that’s part of the game. No one is collecting energy-drink bottles or current commercial crap, but as time goes by it gets a lustre of charm to it and it becomes something you can actually decorate your house with.