Austrian composer and violin virtuoso Karl Ditters von Dittersdorf (–) was a very popular, prolific, and versatile composer who served in a number of. Name in Other Languages: 卡尔·冯·迪特斯多夫, Karl Ditters von Dittersdorf, Kārlis Diterss fon Ditersdorfs, カール・ディッタース・フォン・ディッタースドルフ, Карл. Find Karl Ditters von Dittersdorf biography and history on AllMusic – Karl Ditters von Dittersdorf, born simply Karl.
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Oboe Concerto in C major AE “.
Karl Ditters von Dittersdorf: Biography – Classic Cat
The Classical style, which was also reflected in the era’s literature and architecture, was more formal, more clearly articulated, simple, and more natural than works from the preceding Baroque era.
Sinfonia in D major, Il combattimento delle passioni umane AE “. During this educational phase, Ditters’ dittersdrof study became much more intense and sophisticated, as he studied under two renowned teachers: In he traveled to Berlin, where Friedrich Wilhelm had him mount extravagant performances of Hiob and Apotheker. The comic opera Doktor und Apotheker is his best-remembered work.
He wrote settings of the Mass and other liturgical works, as well as cantatas and arias for church use. History, Composers, and Performers: Jazz Latin New Age. Dittersdorf made his due contribution to oratorio in four such works. Inafter twenty-four years at Johannesberg, Dittersdorf, after a serious clash with von Schaffgotsch, was expelled from his palace.
Austrian composer and violinist. His final years were spent editing his works and writing his autobiographical Lebenbeschreibung Leipzig, Under princely auspices he studied violin with Francesco Trani who, impressed with the ability of his pupil in composition, commended him to Giuseppe Bonno who instructed him in Fuxian counterpoint and free composition.
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Compounding his woes, Ditters suffered arthritis. In Ditters began composing comic operas for a small Silesian court theater at Oels in Poland. Ditters then traveled through Europe for about a year, and in the course of his journeys, he met Count Schaffgotsch, Prince—Bishop of Breslau, who would dittersdotf his next patron.
He also produced cantatas, orchestra pieces, and chamber music. As a young boy, Ditters enjoyed the advantages of a comfortable upbringing. Thank you for your feedback. The chamber music of Dittersdorf, with all the clarity of Classical style, includes string quartets and quintets, divertimenti, and compositions for groups of wind instruments.
You may find it helpful to search within the site to see how similar or related subjects are covered. Four of these earned him even more international acclaim. Print this article Print all entries for this topic Cite this article. During the last half of the decade, he composed eight more comic operas. His final decade was occupied with overseeing operatic productions in addition to compiling and editing his own music for publication.
Carl [Karl] Ditters von Dittersdorf
If you find the biography content factually incorrect or highly offensive you can edit this article at Wikipedia. Dittersdorf left about symphonies with solid attribution.
For one, the dramatic music he was exposed to as a member of a theater orchestra would greatly influence ditteesdorf development of his own musical compositions. From Wikipedia, the free encyclopedia. Sonata in E flat major, for viola and piano Adagio.
From this period onward his output was enormous. In the boy Carl obtained a post as car in Vienna’s Schottenkirche orchestra. Giuseppe Trani, who schooled him on the instrument, and Giuseppe Bonno, who taught him musical composition. Any text you add should be original, not copied from other sources. Born November 2, in Vienna, Austria. He composed operas, sacred vocal music, symphonies, chamber music, and keyboard music.
Each orchestra member received a three year contract to work at the Imperial Chapel, under the service of Count Durazzo, the theater director for the Imperial Court. Johann Baptist Wanhal was perhaps Dittersdorf’s most eminent pupil. There are about another 90 symphonies which may be Dittersdorf’s work—according to the catalogue published by Helen Geyer, Torino Dittersdorf left about symphonies with solid attribution. Throughout the s, Ditters increasingly broke away from his Johannisberg seclusion.